Seattle Symphony and Ludovic Morlot Announce Vibrant 2018–2019 Season
21st February, 2018
Seattle Symphony Music Director Ludovic Morlot and Board Chair Leslie Jackson Chihuly announce the Grammy-winning orchestra’s 2018–2019 season, which culminates Ludovic Morlot’s multi-year exploration of French music past and present, as well as furthering the orchestra’s commitment to commissioning new works and in-depth community-related projects. Several programs with geographic, historical and social context will be presented, including Heiner Goebbels’ Surrogate Cities, the Silkroad Ensemble which embraces difference and cultural collaboration, Jordi Savall’s The Routes of Slavery, and the world premiere performances of George Walker’s Sinfonia No. 5, “Visions,” which was composed in response to the 2015 church shooting in Charleston, South Carolina.
“For my final season as Music Director, we’ve woven together the many programmatic threads we started seven years ago into a true culmination of ideas,” commented Morlot. “I’m thrilled to explore the music of Debussy in great depth, alongside repertoire that influenced his work, and together with those new French voices of Dusapin, Dalbavie and Durand. This season we will introduce so many new and diverse guest artists to Seattle, and I’m thrilled to embrace the voices of more women composers. When I think of my last season with this wonderful orchestra, it really feels like we’ve had a chance to work on all that we wanted and this beautiful season brings a sense of fulfillment to those dreams.”
Chihuly shared, “Our journey with Ludovic Morlot is coming to fruition next season in so many ways, from the symphonies we all know and love to the latest commissions and premieres, to powerful music that makes a statement about our world today, whether that’s Heiner Goebbels’ commentary on the effects of urbanism on humanity, or George Walker’s artistic response to one of the most painful events in recent history. Here in our community we remain committed to our Simple Gifts initiative which supports those who are experiencing homelessness, and we’re thrilled to welcome Derek Bermel as Composer in Residence, who will have an active role both on stage and in the community.”
Ludovic Morlot will build on his previous explorations of French repertoire with a special focus on the music of Claude Debussy for the centenary year of the composer’s passing. Morlot will conduct six works by Debussy over the course of five subscription weeks throughout the season including Gigues from Images, Petite suite, Jeux, Printemps, Suite from Pelléas et Mélisande and Nocturnes. These works will be presented alongside repertoire that influenced the composer, including works by Mahler, Strauss, Wagner and Janáček, and Debussy contemporary, Ravel, together with new French voices. Morlot will conduct Marc-André Dalbavie’s Sonnets and La source d’un regard, the U.S. premiere of Pascal Dusapin’s At Swim-Two-Birds, and the world premiere of Joël-François Durand’s Préludes. French- born Durand is Professor of Music at the University of Washington in Seattle.
Following critical acclaim for the 3-disc set of Henri Dutilleux’s orchestral works, upcoming recording plans will continue to capitalize on Morlot’s distinctive interpretations of French repertoire. Recordings featuring Ludovic Morlot and the orchestra performing the works of Berlioz and Dalbavie are planned for the 2018–2019 season. The orchestra will also continue to record its first-ever Nielsen cycle, which began last fall with the release of Symphonies Nos. 3 and 4 conducted by Thomas Dausgaard.
Music Director Designate Thomas Dausgaard, who will become Music Director in the 2019–2020 season and will also be in his fifth season with the orchestra as Principal Guest Conductor, will conduct three programs, each with a notable premiere. In October Dausgaard will conduct the U.S. premiere of the original first movement of Schumann’s “Zwickauer” Symphony created by Dausgaard from the composer’s manuscript, as well as Schumann’s Symphony No. 2. Two programs in April include the North American premiere of Langgaard’s Prelude to Antichrist, which shares a program with Nielsen’s Symphony No. 2, “The Four Temperaments,” followed in another program by Dvořák’s Symphony No. 9, “From the New World,” which will be performed alongside the premiere performances of George Walker’s Sinfonia No. 5, “Visions,” written in response to the devastating murder of nine African Americans at the Emanuel African Methodist Episcopal Church in Charleston, South Carolina in 2015, at the hands of a white supremacist. Although Sinfonia No. 5 has been recorded, these are the first public performances.